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Showing posts with label Child Photography. Show all posts
Showing posts with label Child Photography. Show all posts

Tuesday, January 7, 2014

Family


One hundred years.

That's a long time.

It's even longer when you look at it in one image. This image was over 5 years ago, but I can't help reflect back on the moment while we explore our topic this week. This was taken on the weekend of by grandpa's 100th birthday, just months after my daughters birth. We are extremely lucky that my child has gotten to know her Great Grandpa, who is still living on his own, alone and every bit as feisty (and maybe more so) then we remember. When you reflect back on those things that are important to you this week, I hope that you have a few simple memories like this.

VERTETIP: Looking at the camera isn't all it's cracked up to be. Sometimes the true expressions in the moment are much... MUCH more important. Capture the moment, not the perfect shot.

Monday, January 6, 2014

Retrospect

ret·ro·spect [re-truh-spekt]

1.contemplation of the past; a survey of past time, events, etc.


Example: in retrospect, in looking back on past events; upon reflection: It was, in retrospect, the happiest day of her life.
 There are moments in everyone's life that you hold close to your heart. Big events are easily remembered and often captured in film or digital such as weddings, births, graduations... and even vacations. Many of us forget to capture smaller moments, everyday moments. Even moments on those days we would rather forget. 
This happens to be an image from one of those days. It was a day in October, and we were vacationing in San Diego. We had a brilliant trip, and this is my mom taking my then one year old to step foot in the Pacific Ocean for the first time. It wasn't a planned shoot, we were just walking on the beach enjoying life. I think this image really captures the moment. When I look back to that day and reflect on this image I remember how peaceful that time with my family was. 

VERTETIP: Change your perspective. This image wouldn't be nearly as cool to me if it was a full body. By keeping it limited to feet I feel that it gives a more unique feel and captures more of the simplicity and discovery of that moment.   

Friday, November 22, 2013

Shopping For A Photographer?

Are you looking for a new camera for the holidays?

Have a photographer on your list this season?

I have you covered!

The first question I always ask when someone comes to me for advice on what camera to purchase is...

What KIND of camera do you want?

Do you know the differences between them?

I always suggest you get a camera that not only fits your current needs but allows you to continue to learn slightly more then you think you will. So let me first talk to you about some basic camera differences.

First, Phones. Phones are not Cameras. Ipads are not camera's. They can be great tools, some work well in a pinch, and some even have decent enough mp's to make up for the poor quality lens, some even have flashes. However...  I strongly feel that they are not "camera's" for the sake of what I am going to be teaching and talking about. They don't have the same functions, quality, or  standards. So most of what I teach wont make sense if your using your phone or other device.

Starting the line up are Standard "pocket" point and shoots. These are small, compact camera's. Every camera manufacture makes some style of Point and Shoot.



Compact digital camera's for our purposes will be any camera with a retractable lens, this lens will come back in to the body of the camera, it is not removable. This creates the nice, small, lightweight camera that can be tucked into a purse or pocket. Let's be clear, it is great starting camera and as such has all your basic modes, and important needs are covered, such as flash, zoom, and megapixels.You will find these cameras from any reputable manufacture will range from $80 on up. Depending on features, lenses, and other options. (By the way, if your interested my top picks for this category would be cameras made by Panasonic, Fuji, Nikon, Canon, Pentax not in any order, and those are not the only ones out there.. but I find these companies tend to put out a good product for most your needs at this level.)

Here are some important details to keep in mind
1. Not all flashes are created equal.
2. Not all batteries are the same, or even "good" to use for photography.
3. The size of a CCD chip (what replaced the "film" and is the capture device on digital cameras) is MUCH smaller then on DSLR's, meaning the quality of detail wont be the same even with the same "size" of megapixel. 12mp on a compact camera is NOT the same as a 12 mp on a DSLR.
4. It is no longer a megapixel race. Any camera these days has enough for you to print and share your images with out the "digital" look.
5. Digital zoom, is NOT a feature you want to shop for or use. Ever.

VERTE TIP some of these camera's are water-proof, some weather-proof, some are impact resistant... etc... it is important if you will be using this as a travel, or "family" camera that you check out some of these options, and the warranties as they do vary. Personally, I like the rugged water proofing cameras for travel, beach and everyday wear. I would NEVER take my pro camera to the pool and let my kid take photos... where the waterproof one I wouldn't be worried about.
Its all about peace of mind.

Second on our list of types of digital cameras would be what I term the "Advanced" or "growing" P&S (point and shoot). Sometimes these are called "Bridge" camera's. This style of camera typically has a lens that remains out, in some way. It is larger and has some sort of Aperture, Shutter and/or Manual modes.

This kind of camera is still very lightweight, but in addition to the different modes of operation they often have a pop up flash and sometimes the ability to attach a flash or work with additional strobes or off camera flashes. Some of these cameras allow for lens modifiers, or possibly let you change your lens. They are not considered DSLR's because they dont have an optical viewfinder, or in some cases a viewfinder at all. If you have a viewfinder it is still a digital display. This is a great option for someone who doesn't know a lot about photography, doesn't want to invest a TON of money, but needs some options and ability to grow say perhaps someone looking to document a new family, do kid sports, vacations, or even some basic blog or homemade shop photography. You can find them from $200 on up again depending on features.

That brings us to our last style, which is the DSLR. This style is typically FULLY functional, interchangeable lens, flash options, full manual modes etc. These also "typically" have optical viewfinders, although many allow you for live shooting while using the back LCD screen as well. The important part for our needs is that you would have the ability to pick the lens, add flash or stobes, and have full control over your manual modes.

As we go forward, it's important for you to know what level your camera is. So if you don't know which category you fit into please drop me a message or comment below and let me know your make and model (you can always find that on the front of your camera). There are less and less clear lines in separation between these styles, so please don't feel bad asking!

Also, as a disclaimer - yes I used all Nikon images, yes I shoot Nikon. NO I don't think this is the "right" camera for you in every case. It is simply what I had available because I do shoot one, I like the product and the company. Like I said earlier, there are a lot of really good companies and products out there. It will depend greatly on what your needs are, for you to find the "right" camera for you!

Tuesday, June 4, 2013

Tuesday Tip: Senior Portraits

Summer is rolling around and for many of you that means.... 

HIGH SCHOOL SENIOR PORTRAITS! 


Since I myself am all ready booking, I thought that I would make it easy, for my clients as well as my readers to get some great tips on what to wear, bring, etc to make your senior session a success! 

Today we will be talking about ideas for you, and general Senior Portrait suggestions! If you are having portraits with me... these are my recommendations! If you are having portraits done with another photographer, you should take these as general suggestions and talk them over with your photographer. Since each person uses different tools and creativity to produce your images they may have their own rules, guidelines or suggestions.

  1. Think about your location. Are you doing portraits indoors, or outdoors? 
  2. Think about your style. This is a session about YOU. Your clothes, accessories and make-up matter. Let them tell your story.
  3. Think about who your giving them to. Your grandmother loves you. She may not love seeing you dressed to go clubbing.

Personalize your session.

When you schedule your appointment, I will work with you to find the right locations. I have several "go to" locations, but I want your portraits to be a reflection of you.

Punk, skater, or rock and roll: Graffiti walls, brick, or more urban and edgy locations fit the bill.
More country or casual: Then we can look for a barn, hayloft, horses... railroad tracks, tall grasses and old fences. The more information you can provide during your consultation prior to scheduling the more I can offer personalized suggestions and options. 
Feminine, traditional or classic: Flowers, lakes, parks, green grass. 

BYOP: Bring your own Prop! Skateboard, football, ballet slippers, or an instrument. Bringing something that shares your interest helps tell your story!

What to bring:


Clothing Changes. I ask that you bring 3-5 clothing changes (if possible) to your session and even some extra accessories, shoes, and jackets or sweaters to change the look easily. I will then assist you on what will look best for your shape, coloring and setting.  The clothes will then be edited down to the best of the best!

When selecting outfits I recommend that you avoid large stripes and too many patterns.  Choose clothing that will best fit your shape and body style.   

You should always bring things that you love and fit your personality. However, I also suggest you bring at least one  “classic” look as well. If your a girl and you NEVER wear dresses... don't bring one. You will be uncomfortable, and it will show. Instead opt for a nice shirt or sweater, even a jacket that can be put on to create a "Grandparent friendly" or classic option! I understand that if you are a bold, trendy person it would look unnatural to put you in a baby pink button up! You can however do a solid color stylish cut shirt, in a bold color, or even a classic white with a showcase jewelry piece!

That being said I still love trendy, fashion statements... I love when someone has a unique look and really owns it. I just suggest you create a little balance, a compromise for just a few shots, and think about how your outfit will look hanging on Grandma's wall! I'm a parent, I have to say it!

 I suggest also that you think in layers, bringing along a few simple options like a jacket or sweatshirt that can be slipped on and off can help give you different looks, and be more suitable especially if your on location and walking around! 

Shoes. Don't forget different shoes... if your going formal, bring a formal pair of shoes... casual we can do bare feet, or sandals.... but be sure they are in good shape, and clean. I will do full body as well as close up images, so your feet and shoes will show!

Accessories: If your bringing jewelery, I suggest you pack it carefully so it doesn't break or get tangled. Bring it in a pouch or something that wont be lost easily! 

Makeup/Hair: For most clients I suggest you come with your hair and make-up already done. If you would like me to schedule a hair or make-up artist to do this for your prior to your session, that can be arranged however you will be responsible for covering the additional expense.  

Ladies should remember to bring extra lip gloss or lipstick, and powder to help with shine.

You should bring your own comb or brush, hairspray and small water bottle for location shoots. If we are in the studio, I will have plenty of these items around.

Tip: Verte Photography is not responsible for hair dissatisfaction since we are not familiar with your preferences, tolerances for styles, locks or strands. Retouching is done at the client's expense

WATER! While, again I have this in the studio, you should bring 2 or 3 times more water then you would normally drink when your outside. Being a model for a few hours really is HARD work, if your outside and walking around on location you will be thankful for the extra refreshment!

Bring your own Sherpa: I always recommend a friend or loved one come along with the senior. Not only can they help carry your items on location (because there is a lot!), but it sometimes helps you feel more comfortable to have a friend! They can help check your hair and remind you to fix make-up and things as well! While I am happy to help tote items, and always check your details... I do have my own pack of goods to tote and an extra set of eyes is always helpful! 



Verte Extras:
I offer my clients a portable changing room for location shoots. It isn't glamorous, or spacious but it does provide privacy in public areas. However, I do limit full clothing changes to 3 per hour session so that we don't spend all of our time changing clothes!

If you plan on adding a make-up or hair service contact me directly before you schedule your appointment. We will need to co-ordinate the services and times appropriately.

Typically an outdoor session is 1 hour, depending on location. Some locations may require more walking time to get from spot to spot. I never suggest a shoot last longer then 2 hours. I never limit my clients on a number of images. I shoot way more then you will ever need. Trust me.  

I offer all seniors a free digital yearbook image, or depending on the school 2 wallets. I ask each senior to bring, or email me the school information regarding portraits.

Verte also provides 1 free social media image, for each senior to share online with each package, and a 25% discount for a graduation session, that you can use for announcements or collage applications during the spring the following year.

 


                       

Monday, February 25, 2013

Top 5 Things you can do for great Wedding Portraits

Even if you have hired a professional photographer, and followed all my other advice from this months (Love posts), there are still a few things you can do on the day of your wedding to have a dramatic impact on your images!

In my 20 some odd years of being in the photography industry I have done countless wedding, bridal and event photography. In that time I have been able to be a part of all stages, from assisting, to being the “main” photographer, to editing, creating video, and even printing the end product. In that time I have really learned to appreciate the art behind wedding photography.

 Did you know as a bride, attendant or even a guest there are countless things you can do to help a photographer and insure the images that are captured are priceless keepsakes for generations? Here are my top 5 ways of insuring great wedding portraiture!

#1 The Shoot List.
First as a couple, be sure to create a “shoot list” with your photographer. This list is the combo of shots you need it should look something like…
Bride/groom
Bride/ Groom / Grooms mom (Anne)
Bride/ Groom/ Grooms mom / Step Dad (Frank)

This list should be done in advance and copies should be on both you and the photographer’s side. A real wedding photographer will have the basics memorized- but as in many modern families there are people you want in, people who may need to be on the end to be edited out later (you laugh but we all know its true!) and even ex’s who cant be stood next to each other. The more information you can give ahead of time for these little notes, as well as the REALLY important shots you want. Like… if you HAVE to have a photo of great-great grandma and the newborn… you should speak up prior to the chaos.

#2 The Assistant
Any wedding photographer worth their salt will not be doing this solo and the shoot list will be the assistants guide to make sure everything the bride want gets done. He/ she is the backbone so to speak, and the backup. They are also the “go to” in most photographer / assistant relationships. The photographer is there for the bride. The assistant is there for everyone else. If your mom wants a shot of something, she should be told to go to the assistant with it. The assistant will either take the shot (if they are a second shooter) or will be sure to have the photographer do it. Or will at the very least be able to handle the situation without distracting the photographer away from the bride. You should clarify the role of the assistant or additional shooters in your pre-wedding consultation you’re your photographer before the wedding, and be sure to inform your bridal party… and vocal family members whom they can and cannot go to with requests.

If there is no assistant (or even if there is) you should also assign Aunt Betty (who always wants to help, and knows most everyone… you know the one.. ) to assist the assistant. Or, better yet find one from each side of the family, give them a copy of the shoot list, and let her be the runner during the bridal portraits. This can save a lot of time! The photographer or photographers assistant can say who they will need next, and she can go get them. She can also watch to make sure each combo you need is getting done… because trust me – you wont know! It also makes her feel important and keeps her from going to you with everything she thinks needs done.

#3 The Kit
I highly recommend this kit to every bride. Go to the dollar section of your local drug store or big box market and pick up these handy items.


  1.  A small sewing kit (includes tiny scissors, thread and needle, add safety pins and several boutineer pins (craft needles) to it if needed)
  2.  A pack of Mary-Kay blot cloths ($5) or some round cotton pads (dollar section) to blot shiny areas during the day- don’t forget to use them on you and your groom!
  3.  Extra lip gloss /lipstick, powder and WATERPROOF mascara
  4.  Nail file, clippers, and basic polish – you know one of your bridesmaids are going to need this.
  5.  I also recommend Tylenol, Advil, Tums, and a Powerbar.

Now the tricky part to this kit is making sure you have it with out – ALL the time. I suggest you give it to your maid of honor and put her in charge of making sure you touch up makeup and blot about every half hour. (or before each “stage” of the day at least) I have seen these kits cleverly attached to bouquets or as a cute handbag to carry all day.

#4 The Smile
Everyone should be forewarned that especially in today’s technologically crazed world, it is best to assume someone; somewhere is taking your photo, especially on your wedding day. Everyone should keep good smiles, and shoulders back, sit up straight etc… all day. Nothing looks worse in your church shots then the one bridesmaid or groomsman that is hunched over, or picking their teeth. While your photographer can (and should) do something about this in your formal shots, during the ceremony there is nothing they can do! As a bride and groom, you should always have a smile… remember to excuse yourself to the restroom to pat your underarms dry, checking for food in your teeth, or touching up make-up.

 Last… PLEASE remember a wedding is no place for gum! Your photographer will thank you for not making them edit out bright blue gum from open mouths! Fact: Some will charge you extra for it, and they should!!!

#5 Go the extra mile.
Professional wedding photographers all have a different view on the next subject. But most I know agree. If you are having a buffet, or sit down dinner it is not a good time to be doing photos. NO ONE likes having those table shots done, food in teeth and all! It is a good time to let your photographer breath, sit down, swap batteries, or reset gear for the party portion to come. Discuss in advance what your photographer typically does during this time. It is the polite thing to include your photographer (and crew) in on the meal. Some photographers will flat out refuse, while others may tell you they may take a small portion in to the kitchen area or somewhere away from guests, some may outright thank you for being so generous, and some may be even be expecting it! I find that the longer you expect them to produce amazing images, the more you should expect to feed them! This also is a nice way of thanking them for everything they are doing! Yes, they are paid to be there, but if they pass out from lack of food or dehydration think of all that equipment they are likely to break… and moments they will miss as they are carted away in an ambulance!
Found on the Wedding Bee



Tip: If you want a shoot of everyone who attended your wedding, rather then doing table shots ask for a photobooth, or photoguest book option. Or even set up an "upload" station with a laptop or cards to where they can send their own snaps of your wedding to you!
I hope these tips come in handy! I know my past brides and friends have always appreciated them!

Wednesday, February 20, 2013

Q and A, Verte Style

I reached out to some bloggers, crafters, shop owners, clients, friends... you know my Peeps and asked... "What don't you know?" then I clarified... about weddings, photography and such! Then I took the most popular, or uncommon and stuffed them into this post! Ok, some are paraphrased, or changed to protect the innocent.  But still... Enjoy!


Why are all my images blue?
If ALL the images are blue, outside, inside, with and without a flash then your sensor may not be working correctly. More likely you mean "why are my indoor" photos blue. Reason, you have lights where the color temperature is in that 4000-7500 K range... sometimes you find that in the "daylight" or "soft" balanced bulbs. Solution: Shoot with a flash, or find the WB mode and adjust it to balance your whites back to white! (by the way... this also answers the questions "why are my images red, yellow, orange, or green" it all has to do with the light your shooting in. More Help




Why do photographers charge so much?
1. Time.
2. Education
3. Equipment
4. Everything else.

Let's face it, we talked enough about why those big professional SLR's look better, but a "good" portrait lens can run easily 500-900$ and that's not even the "Better" or "Best". A professional photographer can have thousands of dollars in basic camera gear, not to mention bags, backgrounds, lights, props, rental space, advertising, oh and the computer and processing... not to mention having to stay on the frontier of an ever changing digital field now. Where do you expect that money to come from?

Since you don't do weddings... who would you recommended?
Let's just clarify.... I don't advertise for weddings... I don't want to tote around an assistant and deal with the choas anymore, I have done my time! However, if your throwing a party in Houston or Denver, I would totally talk to you about it! Small backyard or informal occasions are totally where my heart is right now.

However, if you want to go all out and really do it up in style. Nationally, hands down book Theresa J Photography. She and her husband Tim shoot as a team, they travel to you.. and they are the sweetest, goofiest most amazing people ever... oh yea.... and crazy talented! If I needed a photographer for myself - that's who I would call.

My daughter wants to be a photographer, where should she start?
In business school.
It is the best advice I can give anyone wanted to run their own business. You can pick up a minor in arts or photography, but the money you put in on a solid business education will hands down do you better then anything else! Most of running your own photography business is marketing, advertising and accounting!

I need help with my shop photography, what would you recommend?

1. Turn off your "camera shake" mode (that little hand with the shake marks) despite what the salesman told you it DOES not make your photos more clear. It has NOTHING to do with focus.
2. Add more light- I don't care - you need more I promise.
3. White balance is your friend. Use it.
4. INVEST in your products and just let me do them. (ok shameless plug) But, seriously up your prices $2 to cover the extra photography cost and stop spending time doing something you don't enjoy, are not good at, or are just plain frustrated with! Your clients, and new clients will buy more because they can see the quality of the product.
5. Stay tuned... I will be having many more posts on this subject coming up soon!


What do the numbers on my lens mean?
When you purchase a lens you will see numbers or the type of lens listed something like this:
AF-S NIKKOR 16-35mm f/4G ED VR
16-35mm is the Focal Length (the smaller number the wider view you will get. 50mm is considered "prime" or what your eye would see kinda like if you held your arms in a v in front of you. Everything over 50mm is telephoto. The Larger that number 100, 200, 300... the closer your lens can bring subjects to you or "zoom in" on them, if you will. 
Image from Digital Camera World
   
f/4G: This lens has max aperture of 4/f. That means that the aperture will not open more then that with this lens... so no matter what you do you wont be able to shoot at 2.8f with this lens.
Some show this as f3.5-5.6 which means the max aperture will vary depending on what focal length the lens is at... at its max telephoto it will only go down to 5.6 where at its widest focal legth (smallest number no zoom) it is capable of 3.5
You also might notice a number on your lens cap like 72mm or 68mm... that is the size needed for filters, or additional lens caps... good to know in case you lose yours! 
Clears that right up
Right?
 ok... that was a pretty tech answer... so here it is if you didn't understand the above
The first set 16-35mm control how much you can see zooming in and out. I suggest everyone start with a lens like 18-200 its a starter lens and all encompassing with wide angle, and good telephoto. 
The second set tells you how much control you will have over your depth of field. The smaller the number (or the first number if there is two) the more control you will have.
Easier huh! Now for my favorite question...
How many times can you get married and still justify paying for "amazing portraits"?

HA! As many times as you need to "get it right"! While in a perfect world this would mean getting married over and over to the same wonderful person (without the divorce)...  but well...
I do totally think you have to spend the money each time... because if you have to ask...well maybe the this time will be the one that sticks!
Now, there are a lot of other things we could dive into... on any of these topics! I will certainly cover more with lenses and aperture, along with product photography in the not to distant future.
I thought I would knock out some random ones on a Q and A format and see if you all liked it! So now it's your turn... let me know if I should make this a monthly / weekly post! Would you like to see it again? What questions would you ask!?
   
 
























Wednesday, February 13, 2013

The Photographer Search pt.2

Now you know where to look... but other then price and style what should you be looking FOR in a photographer... Here is my list of things to look for or ask before meeting with the top candidates.

Most of these questions can be answered by viewing someones website. If you don't see the answer, or it's not clear, or up to your standards either move on to the next, or if it's not a deal breaker for you then ask for clarification or explanation on the phone prior to meeting. If your mind is at ease, and you like the style and price THEN put them on the short list of photographers to meet with! Remember, you want that list to be around 3. 

1. Stability. 
  •  Look how long they have been doing weddings?
  • How long they have been in business?
  • Do they work Full Time as a photographer? 
  • Do they have a studio location?
2. Price and Service.
  • Are they in your budget?
  • Does the portfolio fit your style? Can you imagine those images hanging on your walls?
  •  What is included in the package?
This is where I am going to put in my 2 cents... many people will want the photographer to hand over a disk of images, maybe even unedited images because they have Photoshop experience. Don't fall into the trap of discounting a photographer because they wont offer you that. First, understand digital files (unwatermarked) are basically like negatives as far as copyright laws stand. A photographer makes money based on sales, its retail as much as it is a service industry. So first, if they hand you a disk they know they wont see you again. But more importantly, photographers have a certain pride in their work as artists... handing over a disk, especially an unedited disk would be akin to a painter drawing a paint by numbers - without giving you the number code and dumping paints in your lap. It's not a finished product, and they wont give you a price break for saving them the work.

Is this true of everyone, no. I in fact sell disks of my images. However, even the "unedited" images have been touched in some way. I don't give RAW images, ever. Every image of mine is "processed" through Photoshop, in what I call my "editing" process. That doesn't mean that I am whitening teeth, or fixing out of place hairs... it means I am choosing the "best of images" tossing the accidentals, and ones I knew were bad as soon as I took them... and doing what I do to provide you with the best images I can. I offer all my clients the right to purchase a disk with a photo release so you can print your own images, or use in shops and online if it is product or commercial images. I choose to do this not because I don't want to see you again, but in truth I don't like shipping prints nor do I have the time to hand deliver them anymore. Quiet frankly I find constantly pulling out images 3 months, or a year later to print 1 or 2 images a huge pain and super time consuming... so for me, it simply makes sense to offer a disk. In addition, I offer clients what most would classify as "editing" as a retouching service. This allows me to fix the teeth, hair, and do creative edits if you want me to spend extra time on that... at your request.  I can charge you per image, or for everything, but I charge extra for that work.

Because every photographer is different in this way, it is VERY important to clarify what they mean, and include when they say "editing". Just as it is when they say they give you a "disk" of images... does that mean you get a release to print and share also, are they watermarked... etc. I will cover more of this in the contract details.. dont miss that!

3. Registered business
  • Are they registered as a business with the state? You can ask to see a business license, ask for the number, or go to your states official small business website and typically search there for the name. 
  • Are they registered with PPA, WPPA, or other photography groups? This just goes towards how serious they are... are they respected by peers, well known in the community? Don't discount someone because they are not members, I know many great photographers who are not. But you may ask them why they are not.
  • Do they have insurance? Not just on their gear, but what if they damage something at the location? When I was doing time as an assistant the photographer I was with took a large backdrop up an escalator for a commercial gig... and it punched a hole in the ceiling. oops. 
4. Equipment / Assistance

  • What kind of  equipment do they own? ( I suggest looking for professional grade slr equipment multiple flashes, lenses... this would be someone serious about guaranteeing quality for your day)
  • Do they have back up gear, what is that?
  • Do they have an assistant, or a second shooter? ( the difference being an assistant, helps.. carries things, holds reflectors etc. A second shooter does additional photography when they are not helping the photographer and doubles your chances or gives two perspectives of events like the bouquet toss... one photographer could capture your face - the other the bridesmaids)
  • Is the second shooter always the same? Many photographers don't have an official "go to second" but I think if you are going to have them shoot - you should be able to see THEIR work as well as the main photographer! (interview both if possible!)
5.  Turn around time.
  • When do you get to see your proofs? 
  • Are they printed or digital proofs
  • If digital, do you have a private gallery online that you can share with friends and family?
  • Are they posted to Facebook or a blog for public viewing? (personally I am not a fan of that... for privacy reasons)
  • How long before you see the finished product?

This should give you solid information to make a short list of photographers. Keep in mind, while some of it should be very openly displayed on the website, if it's not.... ask! Don't call a studio or office and expect to be able to ask them all of this just on a random call, however. Photographers don't make money sitting around answering phones! Be respectful of their time, tell them your a bride or groom looking for additional information and you would like to ask them a slew of questions prior to possibly meeting, ask if they will schedule a phone meeting with you, or if they have 15-20 minutes to answer your questions now.  That respect will go a long way! Also, they may have an assistant or office manager answering phones... don't feel like you have to talk to the photographer only... its a good chance to get an inside look at the dynamics of the team. If they have time and the answers you need you might get more information from them!



Tuesday, February 12, 2013

Starting the Photographer Search

It really doesn't matter if your searching for a family photographer, commercial, or even wedding photographer there is a vast number to choose from and many different places to find them!

The Referral: First, look for a friend who has had a similar need, in our case someone who has gotten married in the past year or so. Ask, if they were happy with the service, quality, and if they could have changed anything what would that be? Look at their images.. they could be LOVELY but just not your "style". If you find a good referral but they are out of budget, or not really the style that your looking for, ask for a referral from THEM and let them know why. Photographers tend to know other photographers in different price ranges, styles, as well as others similar to them in case they are booked the day you need!

Also, ask other wedding vendors that you have already chosen... ask at the bridal salon, DJ, Cake maker... in many cases they will know or have cards on-hand even if they don't have first hand experience of the service.

Check the online ads: There are TONS of websites that list wedding services. Most the photographer has to pay to be a part of... but show sample portfolios and sometimes offer client reviews like SnapKnot , The Knot, Wedding Photography Select and One Wed.

I personally like The Wedding Wire you can not only review clients ratings and comments, but you can talk to other brides online in the forums! Super awesome for ideas and getting more information!

A great place to check also is PPA (Professional Photographers of America)  which lists a data base of its members. PPA offers education, certifications and hosts trade-shows for photographers. While not all awesome photographers are members, its a great place to look for a serious professional! Another great option is WPPI (Wedding Portrait Photographers International) being more specific you wont have commercial or landscape photographers clouding up the listings. Plus its a great start if your planning a destination wedding!

If your style lends towards photo-journalistic there is a site for that too! The Wedding Photojournalisic Association (WPJA) Links you directly to their members in your area. Founded in 2002 it is a "newb" in the world of Photo Associations, but they have some amazing inspirational images and solid reviews of their members! 

The Budget Finds: Many "good deals" can be found for someone starting out and working to build a portfolio... keep in mind you still want someone who will be professional with your guests, you wont find them at the bar, and trustworthy! You WANT to be able to find them after and get the images! You also want there to be quality images! Rather then trusting your images to little Bobby who has a camera and took photography in high school, check the local Art Institute, or Collage in your area with a Photography program. Go to the TEACHER and ask who they would recommend! Also, checking with local studio photographers who have / or have had interns, or might be going into that direction themselves is a really good bet! Please be careful tho, not every landscape photographer or portrait photographer can do an equally good job for you at your wedding!

Now... many people will suggest places like Craigslist - where you can place an ad or review ads... like classifieds. Since this is free for both... your basically opening yourself up to any number of scary situations, not just "have point and shoot and want to do weddings" but scammers, and other crazy people alike. There are too many other good places to search for me to ever recommend this... but if you do... make sure they have a website, client referrals and clients you can call to talk to, and ALWAYS meet in a public place, and NEVER meet anyone alone. (ok, mom rant over)


Google does a good job of finding photographers with websites or blogs in most areas, so you can do that as well just to get some names to look into! Before I go on to talk to you about the meeting, we are going to talk a little about research and questions to ask before you set a meeting. This will help you select your "top candidates" as well as not waste multiple photographers (and your) time by meeting with more then three.

I hope you keep coming back to check in as we continue our month of LOVE!

Wednesday, February 6, 2013

Wedding Photography Sessions Explained!

Since February is the month of love I thought I would spend some time talking about wedding, and couple photography! Today, I want to share with you some "hot" terms that you will be seeing as you start shopping for wedding photographers!

First, what kind of photography are you wanting? You should sit down and decide how much of your wedding photography budget should be spent on "other" sessions! Or, decide if other sessions can be budgeted out of your every day account! Here are some additional sessions, some photographers include in packages with your Wedding Day, some offer in addition, and some you will have to find someone else to do entirely depending on your photographer choices. Not every wedding photographer does, or should do it all!

 Different kinds of photography sessions:

Engagement Session: In this photo session photographers typically highlight  the couple’s personality. Locations can vary from the photographer’s studio to popular tourist spots in their hometown, back yards, or a special location that sets the tone.  The dress is  more casual than other wedding-related photo sessions. While the engagement sessions have been used for newspaper announcements, photo-wedding invitations and the popular photo guest book in the past, many are now choosing to use this photo-op to do "save the date" images. You can do an engagement session at any time during your engagement, and for any end purpose. It is a really good idea to schedule this session with your photographer for your wedding since it will give you a good idea of how well your personalities and styles work together. If you don't have a good experience with this session you may want to consider a different photographer for your wedding!

Bridal Portraits:  In this formal affair it is ALL about the dress. While this is typically done in a studio setting, some brides may opt for a 'clean" outdoor scene as well. While the formal name leans towards tradition it is perfectly acceptable to have some fun with it as well! For brides who want tons of pictures of their PERFECT gown that was chosen after careful and laborious consideration, this is a non-negotiable. This is also very popular with traditional brides, and traditional parents!






©Verte Photography / Image of Theresa J. of Theresa J Photography.com



The Wedding Day: You will want to be sure your contract includes times and addresses of where your photographer will be, and exactly what will be covered on this day.
Pre-Ceremony: This is everything that happens prior to the ceremony itself. Be specific in your needs here. It can include the bride getting hair and make up done, getting into the dress, to informal shots with attendants and family, for large weddings I have even suggested doing all the formal shots of the bride and groom separately that can be done, so any formals done after would include them both. Of course some couples will even see each other prior allowing all the formal shots to be done prior.
Ceremony: These are the images taken during the ceremony itself. You should check with your church or venue for rules regarding flash, and access the photographer will have.
©Verte Photography

Formals Bridal Party and Family: Even if your a non-traditional bride, you will find yourself doing some sort of images with your bridal party, and family members. The poses and scene will set the tone for how formal these images come out, but I suggest you do some just for the traditional family members and keepsake images.
©Verte Photography

Informal Portraits: These would be the crazy fun images, more for the bride and groom they can include anyone they wish, but it is kept low key and less posed (or at least less formally posed).



Reception Images: This is pretty much anything that happens at the reception. Typically I suggest the standard cake, toasts, first dance, etc... and maybe an hour or so of dancing... it is not necessary to have your photographer there for the "whole" party, one dancing shot looks much like the other. However, it depends on your day and if you have a "big send off" planned, how long the reception is etc.

Photo Booth: This is a HOT gig right now. Many people are using photo-booths as entertainment for guests, others are using it to put together a photo guest book. Some photographers will offer this as part of their service, some wont allow it at all. You really need to check with them if you are thinking this will be an option for you!

Day After: Shot the “day after” the wedding (although some are after the honeymoon) this is a great time saver if you don’t want to spend the majority of the wedding day taking pictures.  The bride and the groom are more relaxed, and it shows! This can be done at a family brunch, or for more casual family or private couple images. The "newest" trend is to do them as sexy, boudoir style images in a hotel room, just for the couple to enjoy.

Trash the Dress: Another type of day after session.  This varies from aggressive “trashing” with brides engaging in paintball or mud wrestling, to the more genteel trashing of walking through ocean surf or swimming in a lake. Since today it is becoming increasingly uncommon to pass a dress from generation to generation, this lets the bride have "one more day" in it and do something unexpected.

Boudoir: Typically this is just of the bride who wants to give her husband-to-be something private to commemorate the occasion, or even to celebrate the first Valentines day or Christmas together.

Additional Event Photography: Many couples want the wedding events captured with equal skill and talent as their wedding portraits.  While most photographers do not include these optional type of photo sessions, most photographers can and will  cover bridal showers, wedding rehearsal dinners, bachelor parties, etc.



It is really up to you to figure out what style, and how many sessions you will want. Work with your photographer, if they will be doing multiple sessions for you. Some will include an engagement shoot, or if you don't want that, they may offer a holiday session, or 1 yr anniversary session or something else instead!

You really have to balance your budget, with all the cool ideas and everything you want!

Monday, February 4, 2013

Photography Styles

Today you have more choices then ever before for "types" of photographers... how do you chose? So many times I have brides approach me and simply want to book for their wedding or event... and I have to slow them down and really make sure they know "my style".

It's really hard with people pinning ideas for photography images, and then expecting any photographer to recreate that moment. Let's forget the differences in equipment, knowlage, location, and everything else... just the difference in shooting style can dramatically effect how your images turn out.

So how do you know what "style" of photographer you should be looking for? Let's look at some of the popular words photographers use to describe themselves and then you can sort by what style your eye is most drawn to!

Traditional Portrait: (Classic style) This typically referrals to a more formal and posed images. Straight forward, well composed, beautifully exposed, and simple images with a focus on the people. This can refer to any location and is common with many  photographers. This photographer is typically on top of posing, adjusting hair, placing hands... very much at the forefront of the action directing each shot. While older generations will be more comfortable with this style, some modern brides feel it makes them look stiff and uninteresting. The trick is to find a photographer that you enjoy so you will remain relaxed even in a "posed" session.. this will lead to great traditional images!






Contemporary Portraiture: Much more relaxed and lends towards less formal images, this style can result in more spontaneous images. Capturing the spirit of fun, while still incorporating formal elements. The photographer may be less involved in every moment, allowing your personalities and interactions to shine, however they may still set up some shots, or adjust details as needed to improve the overall image. This photographer will tend to seek out unique locations, or angles in which to set apart your wedding from others. 



Documentary / Journalistic Style: In the classical sense, this style is completely hands off. It is a direct record of your day, typically without any posed images, or real input from your  photographer. A sort of fly-on-the-wall approach, where the photographer blends into the crowd and simply records the events.  


This can also be described as candid photography... but candid simply means informal, un-posed and most photographers utilize candid images for reception shots, so be sure to clarify if "candid photography" is mentioned!

This style can also be referred to when people think of images that take great care to take advantage of aperture controls to blur backgrounds, and add interest to images by having greater control over the camera. You will need to see the photographer's work to know WHICH he is really describing,  with this term, as they can produce drastically different results. 



Artistic: I am not personally a fan of this description, it seems to be used as a "catch all" however, when used "properly" this term implies individualism of the artist or photographer. Depending on photographer this may require a great deal of intervention, or none. It may be heavily altered images by Photoshop, or it could be entirely produced by camera, filters etc. You simply wont know what this term is implying without viewing the portfolio of this photographer. Please do your research here!


 
Glamour or Fashion Photography: This is more of a type of photography then a description of a style, but we are seeing it used more and more often as a description for  modern wedding images where the images have the look of a fashion magazine or what you would think of as a model being posed. Typically a lot of attention to detail, along with lighting is given priority to comfort


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Many photographers will describe themselves somewhere along these lines, or within combinations of these.... some come up with their own "labels", but for the most part everyone will fall in one of these categories or a combination of them.

Professional wedding photographers views their work as art, and the only way to know if you enjoy that style is to read the descriptions and view the portfolios. Keep in mind a portfolio is representative of "the best of" from that photographer, not "every shot".  It is perfectly acceptable to ask a photographer to show you a sample wedding, cover to cover so to speak so you can see their style from start to finish of the same day.

Regardless of if you are looking for a commercial photographer, Wedding photographer, or family photographer... I hope understanding these basic descriptions helps you weed through some of the multitudes of choices you have! 
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